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The Rajput groups of India are arguing that the name Jodhaa was the name of Jehangir’s wife.Ĭonsidering that Indian films are X-rayed by the stringent Indian Censor Board, is it appropriate for films to be subjected to further censorship demands and bans based on public intolerance? After all, should not the Censors be the ultimate authority in deciding what content is suitable for public viewing? Against freedom of expression Noted historians have claimed that the basis of the movie, the relationship between Jodhaa and Akbar, is completely faulty and incorrect. However, despite Gowarikar’s effective efforts in maintaining that balance, there was seen a streak of intolerance towards what some claim to be an inaccurate, rehashed version of historical facts.Įven before its release, the film invited the ire of certain groups and was subsequently banned in several States. Without taking sides, the maverick filmmaker wisely portrays Akbar as a secular force who wants to see “Hindustan’s” great religions coexist side by side.
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In his latest offering “Jodhaa Akbar” (released February 15, 2008), director Ashutosh Gowarikar made a savvy decision in focusing on the religious tensions between Akbar’s court, full of traditional Islamists, and the Hindu Rajput c ulture of Jodhaa. No space for a rational, public discourse: Emotional reactions against the film "Jodhaa Akbar". By RISHI VOHRA The recent violence in some States over “Jodhaa Akbar” raises the question: Should public intolerance be allowed to hijack a medium that is exclusively the director’s space?