Her website is very complete and worth a look. Sketch by Prud'hon showing criss cross application of shadows and highlights.Īrtist Rebecca Alzofon has reconstructed, step by step, Prud'hon's technique. The finished drawing was built up using layers of charcoal and white chalk. Photo by Marie Dauenheimer.įinished demo drawing by Liberace. This is how Prud'hon developed his works. The day was entirely dedicated to the theme: The Eye and Hand Connection. This post is also available in: First day of pre-convention workshops for The Art of The Portrait, the Portrait Society of America’s annual convention, now in its 23rd year. colour mixing and the Munsell colour space with Graydon Parrish, portraiture with Teresa Oaxaca, and red chalk figure drawing with Robert Liberace.
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Photo by Marie Dauenheimer.Īs Liberace develops the drawing he blocks in the large shadows with charcoal and the highlights using white chalk, in a criss cross manner. Robert Liberace, the eye and hand connection.
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Liberace begins by blocking in the figure with vine charcoal. Rob did a wonderful demo of Prud'hon's drawing technique used blue tinted Ingres paper, vine charcoal, compressed charcoal, charcoal pencils, white chalk and white charcoal pencils, brushes and a chamois. Robert Liberace - black, red and white chalk This is a black and white conte drawing I did during a Jon DeMartin workshop a few years back at Studio Incamminati. Prud'hon is known for his stunning toned paper drawings using charcoal and white chalk to create a sculptural drawing. See more ideas about liberace, portrait painting, portrait art.
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a delightful fun filled workshop where we did figure sketches in charcoal and red chalk for two days. In today's Figure Drawing class, with instructor Robert Liberace, we explored the technique used by French Romanticist Pierre-Paul Prud'hon (1758-1823). Explore Gaye Sekula's board 'Robert Liberace', followed by 260 people on Pinterest. May 11-15, 2020 5 Day Workshop with Rob Liberace.